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I thought the excesses of the affected music journo had died out in the 80s. Apparently I'm very wrong. Reading a review of Scritti Pollitti's recent album White Bread, Black Beer on Pitchfork.com I couldn't help but laugh at the following:
''What’s remarkable is the depth at which Gartside was able to absorb and recreate r&b and soul. The music wasn’t just an influence on him; he became a part of it, and even exerted some small vanguard influence on it himself. His band became the test lab for soft, swooning, upwardly-mobile 1980s fern-bar soul-- you know, the kind of complex, jazz-inflected blue-eyed r&b that strips out everything but the pure dreamy sweetness of the form.''
All together now. Deep breath...
...WANKAAAAARRRRRRR.
1 comment:
What I couldn't understand is that in Culture with The Sunday Times they listed his Top Ten songs and didn't include "The Sweetest Girl." - that's like naming the Smiths best of and ignoring "How Soon is Now?"
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